Evolutionary Guidance

In evolutionary or integral psychology and spirituality, the evolution of consciousness is a key element. Taping into and consciously working with the evolutionary process is also a key element, and an essential way of tapping into the evolutionary process is by attempting to connect with the guiding force of evolution itself.

Ken Wilber and Andrew Cohen call this force the “evolutionary impulse:”

“The evolutionary impulse is the consciously experienced choice-in-action to take form and become the whole universe. It is the energy and intelligence that burst out of nothing, the driving impetus behind the evolutionary process, from the big bang to the emerging edge of the future. And that impulse is active right now, throughout the life process, and at every level of your own human experience. In fact, that life-pulsation is the most important part of who and what we are. When you locate that impulse in the depths of your own self, you will become aware that it is inherently free and explosive in its freedom. It is dynamic and completely unrestrained in its nature. While Being feels like eternal peace, Becoming feels completely different. The evolutionary impulse is felt as a sense of tremendous urgency, an ecstatic urgency. At the level of consciousness, it is experienced as a sense that something unthinkably important must occur NOW” (Andrew Cohen, Evolutionary Enlightenment).

Jean Gebser called this guiding force the “inner commission” and saw it as pointed to a greater force or intelligence at work within our lives:

“How do we live? Whichever way we may live, we need to remember that we are also lived by an authority or a power for which there are many names. And, above all, we must remember one thing, namely that whichever way we live, we follow, whether we know it or not, an inner commission that points beyond ourselves” (Jean Gebser, The Ever-Present Origin).

When we explore the teachings of the various spiritual traditions and the personal anecdotes of those who have attempted to seek, receive and follow guidance from a perceived Divine Source, we discover that at the heart of the guidance experience is that the guidance always appears to be guiding us toward a higher stage of evolutionary development. Each tradition has their practices for seeking, for receiving, and for following, from purification practices that attempt to help us remove the obstacles in our personality and consciousness that keep us from accessing and receiving the guidance of the “evolutionary impulse” to mindfulness/awareness practices to help us be fully open and present to receive to discernment practices to help us understand, clarify, validate, and act on the guidance received. This evolutionary guidance appears to be communicated through many different forms, including 1st Person inner promptings, like hearing an inner voice or getting a “gut feeling;” 2nd Person messages from a higher “Thou” or outer “others,” like receiving a message through the presence of a Divine other or having something that someone else says resonate into a deeper and higher meaning; and 3rd Person lessons from external events and circumstances.

One of the simplest and most universal ways of connecting with Divine or evolutionary guidance is attempting to be in the present moment and holding all that is happening as the guidance you need in that moment…

“Life will give you whatever experience is most helpful for the evolution of your consciousness. How do you know this is the experience you need? Because this is the experience you are having at this moment” (Eckhart Tolle, A New Earth). 

Communicating Meaning Through Art

As an artist of many different mediums (film, drawing, text, photography) I can honestly say that on one level it feels like a miracle when a viewer understands my work in the way that I intended it. And there is often another miracle, when the viewer sees something in my work that I did not consciously intend, but when they speak their truth it rings true for me as well.

I have studied the language of my mediums and how each of their material elements communicate differently across cultures and societies; I have studied the psychology of how individuals perceive and view art; I have studied symbols, metaphors, and archetypes across cultures; and I have studied how different states and stages of development in the viewer and the work communicate with each other. I believe all of these are factors in how the artist communicates to the viewer.

Yet, there is also something else involved here; something I learned in the form of both direct experience and teachings from some of the masters of art I have studied with over the years...this something else is that the more a creative work comes from a deeply personal meaningful place in the artist, the more universal its meaning becomes. This is the great paradox of art and meaning; the more personal the work the more universal and the less personal the work the less universal. Actor and playwright Sam Sheppard said it beautifully when he spoke to my class at the AFI many years ago. He said that if an artist starts with a deeply human truth, one from their own experience or one from the life of another, then the work becomes universal because what is true for one human heart resonates with all other human hearts.

In addition, as a practitioner of art as an integral spiritual practice, I see myself as a creative channel for the Divine; and that when I align myself with the Creative Source as the Divine Suchness, Thou and I AM, the Source speaks through me into the work and out to the viewer. From this perspective, in addition to my own personal meaning being expressed in and through the work, I believe there is a higher meaning being channeled through me and the work that I most often am not even conscious of. Sometimes I discover this meaning when a viewer shares what they received from the work; other times, years later, I discover this hidden meaning when viewing my work from a different place in my own life journey. In the end, each individual views the work from where they are at on their live journey and when a work of art is a channeled work; I believe it has the capacity to become a kind of magic mirror in which the viewer receives the message that is perfect for them at that particular moment on their life path.

From an Integral perspective, I would say that meaning in art is tetra-resonant, in that a work of art can have subjective, material, cultural, and/or social resonance. This resonance channels meaning between the work of art and the viewer, and one can gauge the general message of the art work through any and all of these resonance channels/dimensions. The more this meaning is rooted in a deep truth in any and all of these dimensions, the more universal the message becomes.

In the end, as an artist I never know for sure beforehand if my intended meaning will translate to others; I can only strive to speak the truth as I perceive and feel it and attempt to communicate it through as many resonance channels and dimensions as possible. I have found that I feel that I have communicated with the audience if I have touched them somehow, and I have come to feel that the reception of my intended meaning is not as important as the reception of the meaning that arises through the wondrous and miraculous process of channeling the creative force…

*Image: Enlightenment by Diana Calvario (dicalva)

How to Call on Your Intuition When You Need It (Guest Blogger)

The Following is a guest blog post by Jim Wawro, author of "Ask Your Inner Voice"

How to Call on Your Intuition When You Need It

By Jim Wawro

“I’m really not very intuitive.” Have you ever heard someone say that? Or maybe said it yourself?

We hear it all the time. Most people think that their inner voice is hit-or-miss, that it is great when it arrives, but can’t be counted on to show up just when they need it.

But did you know that you can call on your own inner voice whenever you need it?

Your Creative Solutions

Many people quickly dismiss the thought that they are creative or that they can receive a useful insight just by calling on their own inner voice whenever they need it. But those same people also do just that on a regular basis without even thinking about it.

How do they do it? We all work at jobs with challenges. New issues regularly arise in our work requiring new solutions. If fact, think of a situation at work where you were presented with a problem that you didn’t immediately know how you were going to solve, but that you ultimately did solve. What did you do? Did you give up? Did you sweep the problem under the rug or shift responsibility to someone else? Likely not. If you’re like most, you take pride in accomplishing your work competently, and you likely have enough confidence in your ability to know that you will probably be able to solve most problems that crop up in your work. That’s why you have that job in the first place. So, what did you do solve the work problem that first seemed impossible?

Creativity’s Four Steps

Creativity studies indicate that you likely went through four stages in solving the problem: Research, “Kick Back,” “Ah-ha,” and Manifestation.

First, you studied the problem to understand why you couldn’t solve it quickly. Then you gathered the facts necessary to understand as much as you could about why the problem wasn’t susceptible to a quick solution. Perhaps you studied the problem visually, talked to a colleague, reviewed precedents in the files, or looked it up on the Internet. Perhaps you experimented with quick solutions to see if one would work. If none of those approaches worked immediately, what did you do then?

Second, you probably set the problem aside for awhile and went on to something else. You “forgot” about the problem, or “kicked back,” or otherwise turned the focus of your conscious attention away from the problem. What happened then?

Third, the solution likely suddenly “popped” into your mind in plenty of time to solve the problem, as answers had on many other occasions when, for example, in conversation with someone you had forgotten a name and said “give me moment, it’ll come to me.” And it later did.

Fourth, if you’re like most, the excitement of solving a problem that had no apparent solution likely energized you to actually solve the problem, to make the solution exist in the world and to not just exist in your mind. Besides, it was part of your job to solve such problems, to make the obstacles in your work disappear, which you likely then did. And, if the problem was tough enough, and your solution effective, you probably shared the problem and your solution with a co-worker.

Creative Intuition

What went on here? You were presented with a problem that you didn’t know how to solve; you asked your intuition to work on the solution; your intuition delivered the solution in time to solve the problem; and you made it exist in the world. Aren’t you in fact creative?

Do you think that your creativity is limited to solving problems at work, or can you call on your intuition whenever you need it to solve a problem, to gain a creative insight, or to simply make a wise decision with confidence? How would you go about finding a creative and effective answer to a most pressing question, like a question about finance, a relationship or your health?

Intuition on Demand

Why not follow the same four steps you used to solve the problem at work: study the problem, learn all you can about it, and research possible solutions to the problem. Then forget about the problem for awhile and wait for an idea for a solution to pop into your mind. When it does, act on the idea and make the solution exist in the world. You are creative. You can call on your intuition whenever you need it to find answers to your most pressing questions.

Ask your inner voice.* Try it!

* To order your copy of Ask Your Inner Voice (and get a bonus gift of the Ask Your Inner Voice Workbook), go here: http://activateintuition.com/launch-special

Kosmic Surf

molecules swimming
in the atomic sea
particles becoming waves
waves becoming particles
table top ripples
from the hit
of my liquid fist

SOUND
echoing
turning into thought
into dream
into action
into matter
into nothing that matters

FEAR
dissolving
in an ocean
of connectedness

LOVE
undulating
in the Kosmic Surf

the future,
a one-eyed monster
wanting to be feed

the past,
a shadow
cast ahead

and now,
is…

NOW
riding the waves
Kosmic surfing
going with the flow
nothing else needed
to Know.

- MAK

Image: Particle Wave by me (MAK)

What is Love?

 

I have traveled far to ask,

“What is Love?”

A Buddhist Monk once showed me that

Love is a compassionate heart;

A Christian Saint once showed me that

Love is a forgiving heart;

A Muslim Sheik once showed me that

Love is a devoted heart;

A Taoist Sage once showed me that

Love is a heart that accepts all things as they are;

A Jewish Prophet once showed me that

Love is a heart that sees the one within the many;

A Native American Shaman once showed me that

Love is a heart that feels the interconnectedness of all things;

A Hindu Holy Man once showed me that

Love is, when all that is not love ceases to be.

I have traveled far to ask,

“What is Love?”

And I have seen the many faces of Love,

and I have felt the many ways of Love,

and I have touched the heart of Love itself

and learned that

Love truly is all these things.

- MAK

From One Face: A Collection of Interfaith Prayers and Poems

*Image by: Daniel B. Holeman

The Three Faces of Spirit

One of the ways to deepen the practice of seeking, receiving, and following divine guidance is to unpack our constructs of the Divine Source.

Integral Theory has a great practice to help open our perceptions of Source. It is called the The Three Faces of Spirit and can be found at:

http://integrallife.com/awaken/spirit/practice-three-faces-spirit

Lame Deer - Seeker of Visions

John Fire Lame Deer (Native American Shaman)

I was all alone on the hilltop. I sat there in the vision pit, a hole dug into the hill, my arms hugging my knees as I watched old man Chest, the medicine man who had brought me there, disappear far down in the valley. He was just a moving black dot among the pines, and soon he was gone altogether. Now I was all by myself, left on the hilltop for four days and nights without food or water until he came back for me... Darkness had fallen upon the hill. I knew that hanhepiwi had risen, the night sun, which is what we call the moon. Huddled in my narrow cave, I did not see it. Blackness was wrapped around me like a velvet cloth... Slowly I perceived that a voice was trying to tell me something. It was a bird cry, but I tell you, I began to understand some of it … I heard a human voice too, strange and high pitched, a voice which could not come from an ordinary, living being. All at once I was way up there with the birds. The hill with the vision pit was way above everything. I could look down even on the stars, and the moon was close to my left side. It seemed as though the earth and the stars were moving below me. A voice said, "You are sacrificing yourself here to be a medicine man. In time you will be one."

- John Fire Lame Deer

Erdoes, R. (1972). Lame Deer Seeker of Visions. New York: Washington Square Press, p.1-5